WORDS

Books

03

the lake-shaped excuse

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Reviews

"the lake-shaped excuse is brilliant and painful."
Mikko Harvey, Author of Let the World Have You

"...hauntingly beautiful poems"
Chelsea Harlan, Author of Bright Shade

"...Clayton is a poetic force to be reckoned with."

—Kate Siklosi and Dani Spinosa of Gap Riot Press

02

But the sun, and the ships, and the fish, and the waves.

Description
The narrator of But the sun, and the ships, and the fish, and the waves. weaves through aquatic landscapes—water parks, beast-filled lakes, vast oceans—reverting to childhood and back, foreshadowing the inevitable with a calm born of accepting the absurd. Conyer Clayton's poems explore how we question the validity of our own memories, especially those of abuse and assault, and the way we forget—or obsess over forgetting—memories of those who’ve died. These poems validate dreams and all internal experience as authentic … even when we don’t know it.
Reviews

"... [an] exemplary collection of surreal prose poems."

Elena Bentley in Arc Poetry Magazine

"...But the sun, and the ships, and the fish, and the waves. is a powerful testimony of survivorship."

—Meaghan Flokstra in The Ampersand Review

"... a testament to intentional and persistent survival."

Emma Rhodes in The Ex-Puritan

01

We Shed Our Skin Like Dynamite

The cover of We Shed Our Skin Like Dynamite by Conyer Clayton.
Description
In their debut collection of poetry, Conyer Clayton hovers in the ether, grasping wildly for a fleeting sense of certitude. Through experiences with addiction and co-dependence, sex and art, nature and death, they grapple for transcendence while exploring what it means to disengage. What is revealed when you allow yourself to truly feel? What do you ask for to carry you into life, and where do you land when this fails? And when you are finally, beautifully, emptied out, who are you? The poems in We Shed Our Skin Like Dynamite wonder aloud amidst tangled revelations, and yearn to be lifted away.
Reviews

"Every page brims with the sort of insight and restraint that most debut collections only give brief flickers of."

—Jury for 2021 Ottawa Book Awards: Ben Ladouceur, Kagiso Lesego Molope, and Ian Roy

"...stunning debut. These poems manage to wrench beauty from loss, absence, departure."

—Kiki Petrosino, Author of White Blood: A Lyric of Virginia and Bright

"...delicate, raw vulnerability."

—Open Book

Solo Chapbooks

07

Kneeling in Our Name

(Gap Riot Press, 2024)

$10

From the publisher:

Full disclosure: pretty much everyone who had a hand in getting this chapbook into print has cried with and through it. So … content warning: this beautiful, thoughtful, insightful, and elegiac collection hella deals with grief, death, illness, and gender-based violence. But if you’re ready for it, Conyer Clayton’s seventh (!!) solo chapbook, Kneeling in Our Name, grapples with grief so thoroughly and so brazenly and so beautifully that you, like, finish reading it and you realize that you haven’t exhaled since page two. The collection is gorgeous and difficult and thoughtful and it really shows that Clayton is a poetic force to be reckoned with.

Printed in a limited run of fifty copies at Product Photo in Toronto, this chapbook is written by Conyer Clayton and typeset by Dani Spinosa.

Cover design by Dani, assembling a collection of handwritten notes, envelopes, letters, and valentines to & from Clayton and their mother. YA IT’S PRETTY FREAKIN’ MOVING WE TOLD YOU

The cover of Kneeling in Our Name by Conyer Clayton.
06

Trust Only the Beasts in the Water

(above/ground press, 2019)
cover art by Kelsea Shore

A chapbook of surrealist prose poems inspired by dreams, the precursor to But the sun, and the ships, and the fish, and the waves.

Reviewed by​ The Maynard and periodicities

05

/

(post ghost press, 2019)
a micro chapbook

From the publisher: "This dream of a poem helplessly interrogates the insolvency of dreams and the violence of gaslighting." (sold out)

04

Mitosis

(In/Words Magazine and Press, 2018)

cover art, design, and interior illustrations by Manahil Bandukwala

Appeared in audio form on the collaborative album with Nathanael Larochette, If the river stood still (2018).

One long poem in 5 sections. Severed self, grief, familial trauma; tossed in the pond, evaporates, becomes cloud.

03

Undergrowth

(bird buried press, 2018)

cover art and interior art by Kelsea Shore

This collection is now available as an audiobook on bandcamp and e-book, both available for free download. Undergrowth consists of 16 prose poems, using the guise of seed packets and botany to explore gender-based violence and self-realization. (sold out)

02

For the Birds. For the Humans.

(battleaxe press, 2018)

cover art by Komi Olaf

A loose crown of sonnets on wilderness and control. Reviewed in Today's Book of Poetry (sold out)

01

The Marshes

(& Co Collective, 2017)

cover art by Cori Hill

30 surrealist micro-poems. (sold out)

Collaborative Chapbooks

02

Chapbooks by VII:

VII is seven voices fused into one exquisite corpse: Manahil Bandukwala, Ellen Chang-Richardson, Conyer Clayton, nina jane drystek, Chris Johnson, Margo LaPierre and Helen Robertson. Based on the belief that seven minds are better than one and that many ideas make joyous chorus, we say: We are I and I is VII. Formed in March 2020, VII is based in Ottawa, Ontario, the traditional unceded territory of the Algonquin Anishinabeg First Nation.

01

Sprawl | the time it took us to forget

Sprawl | the time it took us to forget is a bpNichol award shortlisted collaborative chapbook written by Conyer Clayton and Manahil Bandukwala over email in a few weeks in March 2020, published by Collusion Books in December 2020. (sold out)

In January 2021, in collaboration with Nathanael Larochette, Liam Burke, Andy Verboom, and Ruqaiya Quettawala, a sonic version of the chapbook was released. Find the audio on bandcamp, and the video on youtube.

​​

Reviewed by Rungh Culture and The Pamphleteer

The cover of Sprawl | the time it took us to forget by Manahil Bandukwala and Conyer Clayton.

Other Publications

03

Select Nonfiction

"On Missed Calls, Technology, and 15 Years of Grieving My Mother" on Grandpa Coded, my blog (October 2025)

"A sober thought" - Feature Article in Nov/Dec 2023 Issue of This Magazine (appearing online and in print)

"Symbols, Portals, and Dreamscapes: How Surrealism Helped Me Write My Second Book" - an essay for The Nourishing Word Blog, February 2023

filling Station Issue 73, Creative non-fiction: "I cannot write this softly" - finalist for a 2021 Alberta Magazine Award for Best Essay"

"Something sharp I want to make soft": a hybrid poem/essay on talking poetics

"Angels and Elephants: On Enjambment": a micro-essay for Arc Poetry Magazine's November 2020 Newsletter

02

Select Fiction

The Ex-Puritan, October 2025: "The Painting and The Bear"

The Ex-Puritan, November 2024: "The Garden"

The Temz Review, Issue 27, June 2024: "Your Whole Life, Swinging"

01

Select Poetry

League of Canadian Poetry, Chapbook Anthology for Trans, Two-Spirit, and Nonbinary Poets, Summer 2024: "Everyone's a loser"

Plenitude Magazine, November 2023: "Low Maintenance"

Arc Poetry Magazine's Disability Desirability Issue 102, Fall 2023: "if all else fails I'll play"

Vallum 20:2 | Endings and Beginnings, Fall 2023: "before and after"

CV2's Animal Issue, Spring 2023, Vol. 45, No. 4: 3 poems written with Manahil Bandukwala

Best Canadian Poetry 2023: "Pistil Pumping" - First published in THIS Magazine

Canthius, Issue 10, Summer 2022: "In the box of jewellery we went through when my mother died"

Pinhole Poetry, July 2022, Issue 2: "Restful as a hornet"

ALOCASIA, June 2022: "today I put my hands into dirt, and it was warm" and "I always hope it's a turkey"

Watch Your Head, June 2022: "Perseverance" and "ripple"

CV2's Sick Poetics Issue, 2022: "I don't know how it's possible" and "Those visible capillaries are a sign your sign is no longer yours"

carte blanche, Issue 42, Disability Themed Issue, December 2021: "Chaudiére Falls" and "Smol Bird"

untethered magazine, 2021: "Once a week for eternity"

Augur Magazine, Fall 2021: "Exposure"

CV2, Fall 2021: "Close your eyes so you can see"

The Quarantine Review, Issue 8, Summer 2021: "Fall" and "Grieving, Year 10"

​​

THIS Magazine, 55th anniversary issue, Spring 2021: "Pistil Pumping"

CAROUSEL, Issue 44, December 2020: "Plumage"

Blue House Journal, Issue 3, November 2020: "The Annual Visit"

Non Plus Lit, Issue 2, October 2020: "Google Doc of Death"

Room Magazine, Issue 43.3, Fall 2020: "talk about it"

The Minola Review, Issue 27, Fall 2020: "You never touched me in public"

Capilano Review, Summer 2020, Co-Winner of 2019 Robin Blaser Poetry Prize: 3 poems

long con magazine, Issue 3: "What's so blank about it?" (Nominated for a 2020 Pushcart Prize)

Parentheses Journal, Issue 8, Winter 2020: "Only for so long"

Glass Poetry Press's Poets Resist Series, December 2019: "Those who need to here this won't listen"

Arc Poetry Magazine, Issue 85, Summer 2018: "Seeds" - Winner of 2017 Diana Brebner Prize

Prairie Fire, Summer 2018: "What you actually lost" - 3rd place in 2018 Carmen Bliss Poetry Contest

The Fiddlehead, Spring 2018: "Recurrent" - Honourable mention in 2018 Ralph Gustafson Poetry Contest

The Maynard, Fall 2017: "The malice in my footsteps"Prairie Fire, Fall 2017: “Home”

Prairie Fire, Fall 2017: “Home”